Show vs Tell

1973-cabaret

I watched this gem of a film last night and hate to say it, but it was my first time checking it out. A classic film and musical, directed by the late Bob Fosse, Cabaret was nominated (and won) many Academy Awards–losing Best Film to The Godfather. (Also a great film and amazing read.)

Unlike The Godfather, I haven’t read the original, short-story, novel version of Cabaret (yet). Goodbye to Berlin was written by Christopher Isherwood in the early 1930’s, as Germany morphed from a liberal, open, artistic city, into the breeding ground for the Third Reich.

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Now, if you go to IMDb and looked up Cabaret, the description reads, “A female girlie club entertainer in Weimar Republic era Berlin romances two men while the Nazi Party rises to power around them.”

And if you head over to GoodReads and check out Goodbye to Berlin, it reads, “In linked short stories, he says goodbye to Sally Bowles, to Fraulein Schroeder, to pranksters, perverts, political manipulators; to the very, very guilty and to the dwindling band of innocents. It is goodbye to a Berlin wild, wicked, breathtaking, decadent beyond belief and already – in the years between the wars – welcoming death in through the door, though more with a wink than a whimper.

GoodReads description is much more accurate than the Hollywood neutralization of the film. In 1972, the war had only been over for 27 years. The deep cut of what took place was still felt by many, in a way, only first hand survivors can relive. (Unlike now, where it’s all text books and films to remind us of the horrors of WW2.)

The amount of films that tackle this subject is long, to say the least. Each years since 1945, has produced film, after film, after film (book after book, television show, after television show, etc.)–attempting to capture the horrors of the war from one angle or another.

in 1931–as Isherwood lived in the slow absorption of nazism in Berlin–watching the wild and decadent city he loved so much, become the backdrop for hate and horrors. When the book was published in 1934–American talked about these sort of things in comments quickly forgotten as they dealt with more important, local, issues–like the great depression.

But, the great depression was everywhere–not just in America. Which is also seen in Cabaret. The divide between Rich and Poor.

Now, as a writer–Showing vs Telling comes up a LOT. Personally, I feel both are needed from time to time. Sometimes, we need to tell our audience things–so we can get onto our next great Showy part. This is a personal opinion, and–if you’ve ever submitted a query to any agent in all the literary land–you probably have learned that, “Opinions are subjective,” and very from agent to agent. So, while you may not agree with me on the combination of the two–that’s okay!

But, back to Cabaret. As I watched the film last night, the story unfolds about the relationship between Sally Bowles (Liza Minnelli) and Brian Roberts (Michael York.) Each pivotal moment being punctuated by a musical number at the Cabaret Miss Bowles works at. As you follow them along their complicated relationship, you watch the world around them transform: from the opening, mirrored credits, to the final mirrored ending.

Never once do they say: Sally is hungry. Instead, each time there is food, she pounces on it. They never say, Sally is poor, but she wears the same clothes over and over again.

They never SAY directly, what is happening in Berlin. But you see Nazi uniforms arrive, at first, getting kicked out of the Cabaret–later, in larger and larger numbers. The blood and violence grows in time with tension of Sally and Brian’s unconventional relationship–until it all comes to a head and pops.

Now, for a writer of short stories and books–I’m a rather visual person. I enjoy watching and seeing stories as much as I do reading them, which is why I’m suggesting Cabaret as a successful example of Showing a major transformation, rather than simply saying, “This happens and this and then a little more of this.” Is it possible to execute the same effect on the page? I really do think so. It’s hard to get away from Telling your stories, at first. But that’s what editing is for. Second, third, and fourth drafts are where the true magic happens–when you take a story you’ve told and mold it into a cacophony of sound, tastes, and textures. Overloading more senses than the eyes–adding depth to your words, your surroundings–and really capturing the essence of a story all the way into its bones.

I mean, that’s the real different between showing and telling, isn’t it? In one you’re saying–IT WAS JUST LIKE THIS. In the other, you’re hinting to what it’s like with thread barren shirt cuffs, unwashed sheets, the copper scent of blood; boots on pavement that rattle up your spin, laughter so thick its contagious, and more and more and more.

If you haven’t seen Cabaret–it’s free on Netflix (and most certainly available at your local library.) I recommend it on many levels–for Showing vs Telling, Character development, a world slipping in the background. It’s a real treat, and deserved all the awards it won back in 1973.

Now, go enjoy a good film while I start reading, Goodbye Berlin–which I hope to blog about soon. (Or now. Who knows. Only time will tell…)

Happy Reading!

Aryn

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About last night…

Once upon a time… I’ve never actually started a story with those words, not outside the ones in my head. In the real world, the world living on a computer screen and scraps of paper in my car’s glove box, most of my stories start mid-action. “Here I am!” my character’s say. “THIS IS GONNA BE A FUN RIDE!”

Sometimes, that is the honest truth. Others, it’s a lie, lie, lie… But does it matter? No. For I have written and everything is right in the world–for that one moment.

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circa 1982-83

I started writing a long time a go. But not seriously. I refused to take myself seriously–because I knew (deep down) I wasn’t good enough. The little voices I’d allowed to crawl into my head ate at my confidence like a necrotizing fasciitis. And I believed them.

Until I didn’t.

Until I decided to ignore them and to keep trying anyway.

It took awhile to get there.

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circa 1997

 

And life kept happening around me.

I’d say, “One day, I’ll write.” or “One day, I’ll be a writer.”

The push kept pushing–but the fear was more than I could manage for a long time. With a million and one, distractions along the way…

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I “one day’d” myself to death….

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But then I took a chance and I stopped saying “one day.” Maybe I didn’t start with, Once upon a time, but I tapped out letter after letter, word after word–IGNORING–the acid voice in my brain that says things like, “Well, aren’t you trendy?” or “You know someone else tried that already. What makes you so special?”

I DID IT ANYWAY!

And I sent it out via the magically world of the internet–and someone said yes.

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Made in L.A. Writers at The Last Bookstore in DTLA

I don’t know what “making it” looks like to you–but last night was pretty spectacular. And, the voices were quiet.

The voices ARE quiet.

Because–

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It’s not always a fairy tale, but what’s so bad about that? Who wants a fairy tale when you can make new friends who lift you up as you try to lift them up, too? Not me.

“Once upon a time, there was a woman who always thought she couldn’t. But then, one day, she did.”

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circa last night

 

The End

(visit: Madeinlawriters.com for more information about Volumes 1 & 2 of the Made in L.A. Anthology.)

Made in L.A. – Chasing the Elusive Dream

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Cover design by Allison Rose

I’ve been sitting on this one for a while now but it’s time to share. I have a short story coming out in the soon to be released anthology, ‘Made in L.A.: Chasing the Elusive Dream.’

It’s a collection of stories written by thirteen local Los Angelenos and I’m honored to be sharing the pages of this anthology with them and will post more about them, the anthology, the L.A. Times Festival of Books (where the book will be launching from), and how you can buy a copy soon!

For more in depth information right this second go here and check out the Made in L.A. official website.

xxoo – A

Dreams. Dreams. Dreams.

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Once upon a time, there was a woman, and she had dreams…

Dreams. Dreams. Dreams.

She loved to soak herself in them like the warmest, most perfect bath, ever drawn.

Dreams. Dreams. Dreams.

Wisps of them–the dreams–wafted off her much like morning dew on a warm summers morning. She loved every second of them. Every single moment of those dreams. They were her happiness.

Then, one day, she realized the world was changing around her. A society that once felt forever stagnate and motionless spun and turn like a possessed top. While she was still tethered to her dreams (dreams. dreams. dreams.) Their tails wrapped around the ball of life, a long, twisted bit of twine created a tangled ring of all her moments in time.

Of all those dreams…

Until she felt stuck.

The dreams that once felt as silky as honeysuckles on a humid night’s breeze transformed. Sweetness went sour. Silk became burlap.

You may think the spinning whipped and turned her around. The tether lassoed to her ankle, wrist, heart–pulled her from her origins, thrusting her into the world. They didn’t. She was a damsel tied to the railroad tracks–a locomotive barreling down on her.

She knew it was wrong. All of it, but she’d become too obsessed, confused, disoriented to begin to understand what was happening. Especially, now… without her:

Dreams.

Dreams.

Dreams.

But one day, a notion dawned upon her. A perfect ‘a-ha’ moment pushed her through the clouds of her mind. What she figured out was none of it is real.

The tether.

The spinning globe.

The disorientation.

They were all illusions conjured by the most wicked evil maker of them all–herself.

…dreams…dreams…dreams…

She’d become so concerned with the outside perception of her she’d neglected her truth. That neglect led to her forgetting who she was and accidentally distanced herself from those                                            dreams.

The moment expanded, growing like a bubble stuck to the tip of a child’s plastic wand. Rainbows and stripes of swirling color encased her. She was the nucleus. She was the yoke floating in the center of it all. And just outside the thin veil separating her from those awful thoughts and her truth–were those dreams.

(dreams. dreams. dreams.)

She knew, while she stared through the stained glass coloring her vision, life was what she decided it to be. She was the creator of her illusion and understood what she stared at the longest became her truth.

Her fingers uncoiled and the tethers released–completely.                                                      Her dreams. All of those…             Dreams. Dreams. Dreams.

Caught in an upward current, floating high above.                                                                                                    Each dream holding every desire she’d ever harbored–bobbing reminders of who, and what, she was.

She was herself. Perfect and true.

She was the right amount of everything because she could never be her or her or even him. And her dreams… all of those dreams! (dreams. dreams. dreams.) kept her afloat and moving forward–high above everything trying to hold her back. High above herself.

The End

 

What, you may ask, is the moral of the story? Simple. You are never too old to dream. Your dreams are valid. Just because someone else doesn’t understand your dreams will never and can never diminish your dreams. And even if your first had your dream many years ago doesn’t mean it’s not the right dream because dreams don’t have expiration dates–they only fade if we give up on them.

You are perfect just as you are.

Life, the Universe, and 2018.

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2018 has shown me life is a curveball wrapped in bubble wrap–or maybe it’s a glass ball filled with every breath I thought I’d lost. On impact, an explosion–pointy chards and oxygen…or a thud with three or four popped plastic bubbles…

2018

I sit here wrestling with the past 12 months–with myself in those moments. This was a year of great growth and change. Something ended, I’m not sure exactly when only that it did. With that ending, I changed.

I don’t like to over analyze life. What’s the point? I am not sitting here searching for greater meaning in the ups and downs I’ve had. I rather deal with life as it happens and move forward.

Forward. Back is the wrong way. I’ve been there. I’ve taken what I need. I’m here. Keep going.

In both the good and bad moments, I’ve learned. I love that part–even the shitty moments. I learned something. I sit, quietly, watching. The shadows are where the truth lives. When people shut off. When they are themselves: unfiltered. Perfect.

The biggest thing I’ve learned is I can be what I want to be. It’s no longer up for debate. I also know I won’t take no for an answer anymore. I want to change with every transformational moment. I want more. Bigger. Brighter. All of it moving me forward.

2018 rocked me with success, it squashed me with illness. It opened my eyes until the fodder fell away. It was a moment of pause, over and over and over again.

I normally celebrate new years on my birthday–this year I’ll make an exception. I’ll sit in the desert, stare at the sky, and make wishes. A thousand of them. And on January 1, 2019–the journey will continue.

The change will continue.

I’ll keep watching.

I’ll keep learning.

There is only one way to go from here and I’m excited to walk that path.

 

Happy 2018 to you all. I hope you found what you’ve been looking for and if you haven’t, I hope 2019 does.

-A

 

 

 

Life in General

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painting by Alyssa Monks

Inspiration. When I first started writing I looked for it everywhere. Sometimes, I still set out on a quest, searching. The problem is I never know what I’m searching for. Not until I find it.

The older I get, the less I rely on inspiration. I put all my energy on hard work.

Maybe when you’re younger you can’t hear how it’s really hard work that makes the difference. Maybe you’re not ready to hear it. Or maybe you already feel you’re doing all the hard work–with little to no reward.

Maybe I’m talking about myself.

That’s more than likely.

Yet here I am.

The interweaving roads I walk in this life can feel too great to accomplish at times, yet when I stare back, my footprints have been left on all of them.

Unrational fears are the first thing I create. I dismiss my factual proof and cling to reactions. Overreaction. Fear. All the different shades of the unwarranted emotion that clings to me like frizz to my hair on a humid day.

I’m knee deep in denial there is only one real path.

I’m really not in denial. I know there is only way path. It’s through. One foot in front of the other, never give up, ignore all the name calling and bullshit, on the path that leads to my goals.

Goals.

Do you have some? Any? None.

I have too many.

That’s a lie. I have one. People think I have many. People tell me what I should do with my life all the time. I listen. In one ear and out the other. I’m not lost. I’m quiet. I’m busy. Always plotting. Maybe it looks like I’m being lazy.

You can call me a lot of things. I’m not lazy.

Never been.

I should be lazier. It would be good for me. Not doing anything would be good for me. Not. Doing.

Stop.

In the darkness, there is a solace. In the silence, there are the loudest shouts ever heard. I hear it ALL DAY LONG. I hear it now. In the words, music, streets, in the people around me. They all say the same. They have a story.

I have a story.

We all are stories. One billion of them. No, more than a billion. A trillion. A quadrillion. Stories everywhere. Whispers on silent lips.

It’s hard work to hear them. To shuffling through. To find the right ones. They must fit better than custom-made kid gloves. Perfection in every fold.

And it circles around. It always circles around.

Pay attention.

Quitting is failure. Hard work is the key. There is one path, it’s lined with words, stories–quintillion stories–waiting for you to gently brush your fingers over, breath in, hold.

This is my life, in general. This is me.

I’m not lost. I’m dancing. I’ve always known the way. Just wait, you’ll see.

 

 

 

[this post brought to you by the inspiration from Alt-J’s album, “This is all Yours.”]

 

Inspiration

Inspiration.

It keeps me awake at night. Trips me up when I’m working out. Distracts me from real life. It is a whisper in my ear telling me what it thinks I need to know. Its message,  a thousand gentle fingertips brushing over my skin, raising each hair in their wake.

Call it a muse.

Paint an image of a woman in a flowy dress or whatever you like, but make sure it warms you on chilled days, lifts you on dreary ones, and dances with you when the sun is out.

I will not call mine muse, it is more like a scent on a breeze. A sprinkle of confection sugar, sweet on the tongue.

Hidden thoughts woven in air.

An enigma, a ghost, a jolt to my psyche. Arriving without announcement, planting seeds intended to devour me. Each spiky root burrows deep, claiming, consuming until I have no choice but to float on its rhyme without reason. For it has none other than to ignite.

I suppose there are things worse than being consumed by ideas, stories, images. Like, not being consumed by anything at all. A blank page, blank mind, the drab vortex of nothingness.

But I have my inspiration. It came calling like a rogue wave, washing over me when I had my back turn, pulling me into its folds. It has claimed me, uncaring of all those other things I should be doing.

I bend at its will because when it planted those seeds it has also molded me into what I’ve become. Thus proving, life without inspiration can only be death.

Slave to Words

Let’s write something meaningful, shall we? This is one of the many things I think when I sit down to write. How meaningful is my WIP?

I like to pile on the stress. You know, because raising a son, running a household, and doing the other odd jobs I keep picking up isn’t hard enough. I need to add more and more and more and more to my plate. Until it breaks. Then I know I’m worthy! But then I break. And I beat myself up for failing.

Rewind. Start over.

Inside my head is where I do most of my talking about writing. Out in the real world, not the Japanese Garden inside my brain, I rarely talk about writing any more. Rarely, I make general comments, “Got up early and wrote today,” or “I think I’m going to ruin my main characters day,” but never more than a shallow puddle. Going into detail feels like signing a contract for automatic failure. Lucky for me, the longer I don’t bring it up, the less and less people ask me about writing. The less people ask, the less I have to say. And then my secret is safe.

I’ve come to the conclusion, if no one knows, and it doesn’t work out–then it never really happen. My own personal deniable plausibility clause. Granted, I doubt I’m using the term in the right context. Yet some how it still applies…

I wish I wasn’t a slave to words. That they didn’t own me and I could go about my day… But its not meant to be. At any given time I have at least six stories playing out in my head. I work very hard to put them in the place, but some are impatient and I’m easily distracted. Yesterday I picked out a pseudonym–because keeping one of me in check is so damn easy, I should try two!

Will I ever learn?? I doubt it. Especially at this time of year. It’s nearly spring. The LA Festival of Books is just a little over a month away.

Anyway, now I’m rambling. And rambling won’t get the laundry folded, dinner prepped, or the last twenty pages of my current WIP written. So, I’m off. And to all you out there who are also slaves to word, god speed. Don’t let them manhandle you. Because they will if you’re not paying attention.

 

The Blog Post

It’s so difficult for me to come on here and write. Not because I don’t want to, but because of life. I write and maintain another blog, one for a whole other branch of my life.

The more I do it, the harder it feels. Not because I don’t like it–I do. But this is what I’ve always wanted the most. Writing. It’s been my greatest love since I was seven years old. I married a writer. I gave birth to a writer… <- that is a 100% true statement. That kid, he loves to spin a good yarn. (and boy does he have the punishments to prove it.)

Does anyone else feel this way? Like, maintaining a blog is too much?

I use my spare time to work on my current WIP. I wake up at 5 am. I stay up late. I sneak in minutes here and there. I work out scenes in my head before I fall asleep, so they’re ready to go when I have my next second to sit in front of this here old computer.

The other bits of time are filled looking back at older, completed (and in dire need of a good edit) WIPs, or forward to a series I have plotted out in my head. Just like the idea of my first High School boyfriend, it’s all consuming.

And the blog is forgotten.

A land of crickets and mothballs. Cobwebs line the pages.

Yet, I want to do it! I want to have a weekly post, but the lists of “Inspirations for Writer’s Blog Posts” are about as inspiring as a cookbook from the 1970s.

How’s this for inspiring:

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In case you aren’t sure what I’m referring to ^^ that’s what I mean.

So, dear reader, please forgive me for not posting weekly, monthly, or at all. I have good intentions, much unlike the team at Betty Crocker when the staff thought, “You know what we should stuff? A head of iceberg lettuce! BRING ME THE PIMENTOS!”

“Don’t forget the olives for the fish eyes!!”

Lordy… I’m making a promise to myself to try harder. Maybe I can write about uninspired recipes from each decade? Or I can get back to working on my WIP…?

It’s not a tough decision.

Till next time…

A

 

Self-Ageism (stop it)

One of the hardest parts about growing up is coping with the number of years you’ve been alive. Ha! Okay, that sounds off, so let me explain better…

Take two: The most difficult part about growing older is dealing with and accepting the number limit we have (subconsciously of course) put on our lives. It’s the old, “By the time I’m 35 I’ll have 4 kids, a house in Hawaii, and have a billion dollars in the bank,” road block.

We set it firmly, then we watch the number approach and pass us. Then we pull out the jar of nutella and have a pity party. Because life may be a lot of things, mostly a hot mess, but it’s never predictable.

Best laid plans and all that… Let’s take me for example:

  • I’ve plotted out book I’ve never finished.
  • Written books I’ve never plotted.
  • Written full books and never edited them.
  • Edited books that should have been set on fire.
  • Written stupid things to agents in desperate moments.
  • Cried in my cereal whilst grasping my flash drive, begging it to explain why it’s contents is never ever ‘good enough’.
  • I’ve had my tarot cards read to show me exactly HOW I’d finally obtain the title of ‘author’ I so desperately want.
  • I’ve joined writing groups
  • I’ve quite writing groups
  • Made writing friend
  • Taken writing classes
  • Danced in the shadows of a solar eclipse while chanting, “Book Gods!! Hear my pleas!!”
  • Thrown handfuls of salt on my WIPs at dawn to keep all my characters on their path.
  • Left silver coins in the moonlight to collect the lunar wisdom before clutching them tights as I wrote a new scene
  • Used the same coin to do laundry, because clean socks are nice when you’re writing.
  • And I’ve even made up a list filled with utter lies about the extent I’m willing to go, in order to entice the books gods into finally giving me that “hells yes” response to a query letter–all before [insert age here,] and you know what?

My birthday still came an went. Know what else? I’M STILL HERE!

So, it’s easier to say, “Age is just a number” than it is to feel the damn sentence is true. But guess what? AGE IS JUST A NUMBER. Want to know what age you should stop trying at? Well I can’t tell you because I have no idea how old you’ll be when you die.

If you find something that makes your heart soar when you do it (for me writing, and well, eating) and you give it up because you’re [insert age here] years old…

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Yeah. The Power Rangers are flummoxed by this response. Don’t flummox the Power Ranges. They have enough on their plate.

And better yet… GO WRITE SOMETHINGS.